MOOER Trelicopter, tremolo pedal

Product Information

I’d love to be able to get my hands on a Mooer Blue Comp Vs Boss CS-1 comparison. Or even a Blue Comp vs Boss CS-2 comparison. However, I’ve yet to find any of these. In the meantime, I have added a demo of the Mooer Blue comp so you can get an idea of how it sounds like a compressor pedal. Many have asked about the difference between the two sounds of the “Normal” and “Treble” switch. Essentially, the Normal setting accentuates the sustain more. Whilst the Treble switch accentuates and sustains the top end. Blue Comp vs Yellow Comp There are quite a few Mooer pedals which are clones of delay pedals such as the Reecho and Ana Echo. However, this echolizer is the one Mooer delay pedal that stands out the most to me. Some guitar players believe that this Mooer Echolizer should only be used through your amps effects loop. I tend to find this true, especially if you’re looking to get the best out of the echo pedal. Having said that, I don’t believe that it is fully necessary to have to put it through the loop. I use a pedalboard with my delays and modulation hitting the front of the amp. This has been on my board and I did not experience any problems running it straight into my amp. Mooer Echolizer vs Ana Echo Please note that this extended warranty is currently only available on products sold within the UK, EU or EEA, and is subject to the terms and conditions as detailed on the extended warranty certificate provided. Let’s take a look at the Metal Muff first, and then determine how the Blade distortion does as a copy. Right off the bat, we can see how big the Metal Muff is. Despite this, it does offer an extra boost switch. The Metal Muff has 6 controls which include: I like the overall naturalness of the chorus sound I get from the Mooer Ensemble. Many other cheaper Chinese clone pedals tend to produce a tiny and thin chorus tone which I don’t like. The Mooer Ensemble king does not do this, and that is why I think it is such a great clone. It’s pretty tough, I would imagine, to recreate such a legendary Boss pedal. But, Mooer does it really well with this pedal.

My Review: Over the years I’ve become very familiar with Boss stompboxes, and one thing I’ve learned about them, is that they are amongst the most durable effects pedals to ever exist. Designed to last, and built like a tank, these pedals won’t cave under the pressure of constant usage and relentless touring. You’ve probably noticed that some of the tremolo pedals I listed earlier in the article has two outputs, rather than the standard inclusion of one. The reason manufacturers use two outputs is because it allows you to split your signal using the pedal. The Mooer Fog along with the Woolly Mammoth is like no other fuzz tones I have heard. A lot say you can get them to sound like Big Muff pedals. But I disagree. The Mooer Fog delivers a synth-like type of fuzz. Also, the words “snarly” as well as, “nasally” come to mind when I hear these pedals. At times, the sound tends to remind me of bit-crusher sounds. I know that there are many bass guitar players out there that swear by both the Mooer Fog as well as the Zvex Woolly Mammoth. I must be honest, I do not enjoy the sound of this pedal in general. The blue comp is a more complex pedal than the yellow one. The blue comp has an extra two-way toggle switch which allows for more tweaking of your sound. I talk about what the toggle does above. The Yellow one, on the other hand, is a simple three-knob comp pedal and in my opinion, delivers one of the best sounds from any cheap comp pedal I’ve ever tried. If you’re not sure which one is for you, my advice would be to go for the yellow comp.Another option that is offered by some tremolo pedals, is battery power. This is only featured on the pedals which require 9 volts, where the power can be provided by a singular 9-volt battery. This opens up the possibility of playing gigs on the road, where mains power is perhaps limited. Combining batteries with a power supply is the best way to ensure that the chance of wither cutting out and leaving you with no output is kept to an absolute minimum. The depth control alters the overall tone of the tremolo. This can be used to create darker, mysterious tremolo, or brighter, more energetic versions. Depth controls vary on each pedal, and the way they affect your signal will be different depending on the intentions of the manufacturer. As with all effects pedals, it will take some experimentation to find the perfect settings to suit a certain keyboard voice. The settings that work with an electric guitar may need tweaking to suit the timbre of a keyboard, so you have to mess around with them to find the right balance.

My Review: As a worshipper of vintage valve tones, I was really excited by the Supro Tremolo pedal after I found out that it is designed to emulate the sound of a Class A tube amplifier circuit. Upon further research, I found that it offers a pair of unique tremolo voicings, accessed through switchable modes. One feature I found to be particularly useful was the Amplitude mode, which produces a remarkably true rendition of bias-modulated power tubes using in early Fender amps, renowned for their stellar tremolo units. This is ideal if you’re trying to break away from the digital tone of many modern guitar styles.I must definitely point out that the Flex Boost has got some grit to it. As soon as you start to turn the gain knob up from zero, you can hear some light and pleasant overdrive. How does it compare to the AC Booster? It comes pretty darn close to the real thing. However, as is the case with a lot of clone pedals, they just miss out on not sounding quite as “organic” as the originals. Still, a great sounding low-gain boost/overdrive pedal.