Murder Before Evensong: The instant no. 1 Sunday Times bestseller (Canon Clement Mystery)

Product Information

This book simply didn’t know what it wanted to be; diaries of a reverend, a murder mystery, or a comedic twist on church life. Blending it all together means we’ve got a murder mystery that doesn’t center murders, a comedic plot that never develops, and detailed descriptions of church services which feel too lengthy and out of place. If you like your murder mystery to contain any degree of sleuthing, you may be bemused. Events seem to unfold around Canon Clement without him taking even a cursory interest. Ultimately we found out who did it because the rector had an amazing moment of insight during his sermon at the funeral for one of the victims. Riiiiiight. Clever bloke! The policemen were portrayed particularly poorly as people who ambled around chatting and drinking tea and never actually doing any crime solving at all.

But between a family of idle aristocrats, embittered clam frogs and the son of a punk-looking Lord, he has a good range of suspects. Champton joins St Mary Mead and Midsomer in the great atlas of fictional English villages where the crimes are as dastardly as the residents delightful’ So much was over-explained, like the past of characters or the surroundings of an area. This really didn’t add anything to the narrative whatsoever. I still found most characters very bland, their pasts barely reflected who they were in the present. The church events or religious pondering felt particularly unnecessary to the plot. In the early stages of this book the biblical references served to link those stories to the world of Champton. I really liked that approach. Gradually the book resorted to simply telling us all about specific church services. Funerals were written about in a detailed way, complete with Bible quotes, and prayers were written out fully. I get why this is important to Coles, or to Daniel, but it didn’t serve the plot in any way. That points the way to the second volume: threatened pastoral reorganisation has been staved off only temporarily, we sense, and the author hints that it will be resurrected, with murderous consequences. I can hardly wait. This is very much a cosy mystery, with the central character, Canon Daniel Clement, Rector of Champton St Mary, with echoes of St Mary Mead, and a cast of characters which includes the Big House and Lord de Floures, as well as Daniel’s widowed mother and his actor brother. This is set within living memory of the Second World War, (from television shows mentioned, I put it at the early Eighties, but I may be wrong,) and the village housed many of the Free French, who have left their mark behind.

Church Times/Sarum College:

I feel fairly confident that I will as the characters grow on me the novels will continue to improve. It was bad. I already mentioned the indistinguishable characters, but what about the poor dialogues? They were terrible. The Rector of Champton, Canon Daniel Clement is lives with Audrey, his widowed mother and his two dachshunds, Cosmo and Hilda in the Rectory. The big news in the parish is the announcement of a new toilet in the church which seems to cause more rumpus than anyone expected.

Also, huge props to the editor who saw the dialogue line "Why would anyone murder Bob?" and inserted a tidy comma to make it "Why would anyone murder, Bob?" despite Bob not being in the conversation due to having been, er, murdered. (Quoted from memory and name changed to avoid spoilers.)A dispute over installing a toilet at the church where the main people campaigning against were middle aged / elderly women? Too ridiculous for words.

There is a motive, however, and, when I thought my eyes couldn’t roll anymore, after the reverend’s sudden realisation of who the murderer is, they still rolled some more as I read about the motive for the murders. So the scene is set for more than one murder in the company of a cast of finely drawn characters, immediately recognisable to anyone familiar with parish life. Coles is a sharp observer of human nature, but his observations are tempered with both humour and compassion, and much of the pleasure in the book lies in the incidental asides: “uncertainty and cluelessness, the hallmarks of authentic Christian discipleship”, or “supper, a light collation, he hoped, after the pound and a half of date and walnut cake he had felt duty-bound to consume”. Throw in some tonally-jarring casual mentions of animal death and the 2-star rating is cemented. Whether you're a cat person, a dog person or a rabbit person, you're guaranteed to feel a little twinge of pointless distress at some point along the way. The book started well and the initial murder was sufficiently well carried out to spark my interest but then the book really sagged. The story wasn’t bad but there was just so much detail that the plot became bogged down. The story was set in the late eighties and this was primarily established by many updates about what Daniel and his mother were watching on TV. There was just too much incidental information that did nothing to give us extra information about the characters or the plot. I also could’ve done with some explanation on specific church terms. I’m interested in Protestantism and Catholicism, but didn’t have much knowledge on the Anglican Church. A lot of the terms used I was therefore unfamiliar with. On top of that a lot of vocabulary used I didn’t quite get the hang of either. This is largely due to me not being a native English speaker, or me not being familiar with Latin phrases, but the way the sentences were structured definitely didn’t help either. A lot of (to me seemingly) posh words were bundled up in huge sentences. Initially I re-read these sections, but as I started to realise there wasn’t much important information to be found I started skimming over them instead. It therefore wasn’t as accessible as other cozy crime novels would be.English villages are notorious havens for murderers – think of all the untimely deaths to have taken place across the county of Midsomer or in Agatha Raisin’s new home of Carsely in the Cotswolds. Now, with a nod to its most famous predecessor, Miss Marple’s home of St Mary Mead, the quintessentially English village of Champton joins the fray. “Two murders… in as many weeks. That must surely be way above the odds for an English country village, even St Mary Mead. What on earth is going on?” says the daughter of one of the victims. I relished looking forward to reading this one; it was everything I hoped – an utter delight from beginning to end! Canon Daniel Clement was a likeable main character but I couldn’t quite see him as a solver of murders. As always in this type of novel, there were a host of other characters from the nearby Lord of the Manor to the women who run the flower arranging. The most memorable of these was probably Audrey, Canon Clements mother who definitely has her own opinions about what is going on and misses nothing. Most of the other characters were sadly, pretty forgettable.

Canon Daniel Clement is Rector of Champton. He has been there for eight years, living at the Rectory alongside his widowed mother – opinionated, fearless, ever-so-slightly annoying Audrey – and his two dachshunds, Cosmo and Hilda.

Books & Arts

I was really looking forward to reading this book. I like the author, Richard Coles and am always on the look out for a new crime series so this book based around the Rector of a small English village sounded perfect. It was a bit disappointing though. MANY clergy, in full retreat from a life of remorseless professional benignity, acquire a taste for murder of the fictional variety. Richard Coles ( Feature, 17 June) has relinquished parish ministry to write a murder mystery — the first in a trilogy — featuring an involuntary clerical sleuth, Canon Daniel Clement, AKC, Rector of the rural parish of Champton St Mary.