Really Good, Actually: The must-read major Sunday Times bestselling debut novel of 2023

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One of the most hilarious and barbed accounts of unexpectedly starting over I’ve ever read. . . . If you’ve ever felt lost and hoped that it was leading towards wisdom, Really Good, Actually is your novel.” — Stephanie Danler, New York Times bestselling author of Sweetbitter First of all, the positives as I see them. The premise is a creative one and I do enjoy the new chaotic life Maggie now lives though the standout feature that appeals to me the most is the ironic, sarcastic tone and the social commentary. The friendships are good and there are some scenes that are entertaining as Maggie employs a multitude of diversionary tactics. The Google searches she does a funny too! Maggie’s marriage is ending only six hundred and eight days after it began (despite being together nearly a decade) . . . This book is like someone's intrusive thoughts gone rogue. lol... I think I liked it more in the end because the character grew so much? But during that, I was constantly trying to hide from the cringy parts while simultaneously laughing at the absolute absurdity of some of it.

Maggie is a 29 year old struggling to come to terms with a fresh divorce and for some reason has zero self restraint. She is endlessly cringey; constantly acting poorly and saying awful things to her friends. I’m surprised her friends didn’t fall out with her sooner.Recommended by Los Angeles Times • Washington Post • GQ• Elle • Good Morning America • People • Guardian • The Times • E! News Online • The Globe and Mail • Toronto Star • The Week • New York Post • Shondaland • and many more! Kind of. He’d moved out, taking the cat (for now) and a gaming system and three acoustic guitars. The idea of Jon writing breakup songs in some dark sublet filled me with equal parts deep despair and incredible relief—despair, to think that I had caused him such pain he’d been driven to experimental songwriting; relief, that I wouldn’t have to listen to it. Laugh-out-loud funny and filled with sharp observations, Really Good, Actually is a tender and bittersweet comedy that lays bare the uncertainties of modern love, friendship, and our search for that thing we like to call "happiness". This is a remarkable debut from an unforgettable new voice in fiction. (From HarperCollins) I would have rated this book 3 stars, but one line caught my eye, and I felt it rather strongly as one of the most relatable thing I’d read in a while:

I think the problem with this book is that it’s not in its ideal format. This would have worked a lot better as a short story/essay collection. As a novel, it drags and meanders without a real sense of purpose or plot. Nothing really moves forward and it feels like a collection of comedy routines on a shared topic. The zany one liners also work a lot better in that medium I think. With this being a full length novel, endless jokes about the same topic get tiring. You know those miserable friends you avoid at all costs? This book was like being forced to listen to one for 5 hours straight. Painful.From the rating alone, it’s obvious this was NOT for everyone, but oh how I loved it. There’s nothing like making an imperfect fictional friend and this was another example of a “romdramedy” that had me laughing out loud one minute and “bless your heart”-ing Maggie the next. Maggie is fine. She’s doing really good, actually. Sure, she’s broke, her graduate thesis on something obscure is going nowhere, and her marriage only lasted 608 days, but at the ripe old age of twenty-nine, Maggie is determined to embrace her new life as a Surprisingly Young Divorcée™. This book made me feel like the boy in Matilda who is forced by Principal Trunchbull to eat that entire chocolate cake. At first you think, oh yay cake. I enjoy this. But then you realize you are forcing yourself through more of the same with no new development until you are ready to just explode. It is much easier to digest in a more bite sized portions. Freshly divorced Maggie is open to trying and doing new things, including dating, journalling, working out and standing up for herself. With all of this, she crumbles weekly and spends days indoor hiding away from the world. With the help of friends she slowly faces her situation and make plans for next step.

Call it what you must, but you need to practise walking around and living life and being heartbroken at the same time. Not in an exciting way, where you're in the thrall of some new person, or buying something outrageous, or terrorising Jiro, but in the way where you still have to go to work when you have a toothache.’ Laugh-out-loud funny, razor sharp and painfully relatable, Really Good, Actually is an irresistible debut novel about the uncertainties of modern love, friendship and happiness from a stunning new voice in fiction, Monica Heisey. Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over. Laugh-out-loud funny and filled with sharp observations, Really Good, Actually is a tender and bittersweet comedy that lays bare the uncertainties of modern love, friendship, and our search for that thing we like to call “happiness”. This is a remarkable debut from an unforgettable new voice in fiction.The author has my attention at the start with the opening section which is really good but then she loses me. Whilst there are some laughs and also some heartache I struggle to get through this. Maggie’s marriage ended just 608 days after it started, but she’s fine – she’s doing really good, actually. Sure, she’s alone for the first time in her life, can’t afford her rent and her obscure PhD is going nowhere...but at the age of twenty-nine, Maggie is determined to embrace her new status as a Surprisingly Young Divorcée.

Maggie is fine. She's doing really good, actually. Sure, she's broke, her graduate thesis on something obscure is going nowhere, and her marriage only lasted 608 days, but at the ripe old age of twenty-nine, Maggie is determined to embrace her new life as a Surprisingly Young Divorcée™.However, it just goes on and on. It’s way too long as it’s all basically the same theme so there’s a lot of repetition. There isn’t a plot as such as it’s just Maggie‘s exploration of various things which eventually gets tedious. I can’t say either that I especially like her as a central protagonist and this is one of those occasions where I think that is important. She tires me out, wears me down quite simply drives me round the bend. Some references mean nothing to me as a reader in the United Kingdom but will mean something to North American readers. A prime example of how a storyteller's voice can pull you right in and keep you clinging to every sentence. . . . This is a book I will give to my closest girlfriends and say, ‘You have to read this.’” — Zibby Owens, GoodMorningAmerica.com