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The twists, despite being numerous, are still spaced out well enough to give you some time to reflect and absorb what you’ve been reading. It might not be the most original or groundbreaking mystery I’ve ever read, but I would certainly classify highly among its kind. There is an additional mystery which, if I understand correctly, will be eventually developed upon over the course of the series: the darkness within Hawthorne himself. Although still a work of fiction, “The Word Is Murder” is written in first person, and the narrator is Horowitz himself. He stays true to the facts about himself, detailing his work as a creator on the show “Foyle’s War” and his successful “Alex Rider” children’s book series. Horowitz takes the first person to the next level, explaining throughout the narration how he decided what details from this “real life” investigation to include and exclude in the novel while discussing how certain aspects of writing this story gave him difficulty like starting the writing process before even knowing if the detective, Hawthorne, would ever be able to solve the case. This adds another mystery to the novel: How much of what is written is real and how much is fake? The facts of Horowitz’s life are true, but the famous actor Damian Cowper, whose mother is murdered in the first chapter of the novel, is fictional. Yet again, Horowitz has stuffed one mystery inside another. And it’s a seamless blend between the actual facts of his career and the events in this novel. Horowitz has skillfully created a near-seamless blend of the his own creation and recognizable television shows and novels. For example, while he writes this book, he is supposed to be working on a follow-up to THE HOUSE OF SILK. Anthony, the narrator (a fictionalized version of the author), is approached by ex-Detective Inspector Hawthorne, with whom he worked on a television series. Hawthorne, who is in need of money, proposes that Anthony write a book about him and one of the cases he is working on in exchange for a 50/50 split of the advance and royalties. The case involves a woman who, six hours after planning her own funeral, is found murdered. Initially reluctant, Anthony agrees and proceeds to document Hawthorne’s solution of the case.
The Word Is Murder: A Novel (A Hawthorne and Horowitz Mystery The Word Is Murder: A Novel (A Hawthorne and Horowitz Mystery
Funny, addictive and clever, and the crime fighting duo of Hawthorne and Horowitz are as entertaining as ever. Brilliant. I can't wait for more.' Adam Handy
The Word is Murder
Taking a more horror slanted angle, this book was initially released in 2005 on the 1st of June in the United States by Anthony Horowitz. Combining both fantasy and horror, it was to set-up ‘The Power of Five’ series creating an overall arc and tone for the books. Having a graphic-novel adaptation as well in 2010, its popularity has continued to endure since it was first published. The Twist of a Knife is consistently, delightfully entertaining, with Horowitz's own theatrical experience providing just the right amount of bittersweet bite' Airmail At first glance Alex Rider is a normal schoolboy who seems to be having a fairly straightforward uneventful upbringing. That is until one day as a teenager he finally realizes his true calling and that everything has been leading up to the moment where he’s to become a super-spy. After his uncle and adoptive parent, Ian Rider, mysteriously dies he’s led to discover more about what happened and the true nature of what he’s to become. Forced to attend a training program, he reluctantly goes to a special camp for spies where he learns more about what he’s to become. That’s when he realizes there’s more to things than initially meets the eye, as he discovers a plot set-up by the people he’s now entrusted with. Not knowing where to turn he has to decipher the clues left to him by his uncle and prevent a catastrophe from taking place. Will Alex be able to save the day and those around him, whilst saving himself in the process staying out of harm’s way? Can he become what he was always destined to be and fully realize his true potential as a secret-agent for the government? What will become of Alex Rider in his first mission as he goes head-to-head with none other than the ‘Stormbreaker’? Raven’s Gate Café Mortel, an opportunity to discuss one’s mortality over tea and cake. ― Anthony Horowitz, The Word Is Murder Clash of Reality and Fiction in The Word is Murder His new play 'Mindgame' is about to open at London's Vaudeville theatre, and on opening night, Sunday Times critic Harriet Throsby gives the play a savage review.
The Word Is Murder (A Hawthorne and Horowitz Mystery) The Word Is Murder (A Hawthorne and Horowitz Mystery)
Six hours after widowed London socialite Diana Cowper calls on mortician Robert Cornwallis to make arrangements for her own funeral, she’s suddenly in need of them after getting strangled in her home. The Met calls on murder specialist Daniel Hawthorne, an ex-DI bounced off the force for reasons he’d rather not talk about, and he calls on the narrator (“nobody ever calls me Tony”), a writer in between projects whose agent expects him to be working on The House of Silk, a Holmes-ian pastiche which Horowitz happens to have published in real life. Anthony’s agreement with Hawthorne to collaborate on a true-crime account of the case is guaranteed to blindside his agent (in a bad way) and most readers (in entrancingly good ways). Diana Cowper, it turns out, is not only the mother of movie star Damian Cowper, but someone who had her own brush with fame 10 years ago when she accidentally ran over a pair of 8-year-old twins, killing Timothy Godwin and leaving Jeremy Godwin forever brain-damaged. A text message Diana sent Damian moments before her death—“I have seen the boy who was lacerated and I’m afraid”—implicates both Jeremy, who couldn’t possibly have killed her, and the twins’ estranged parents, Alan and Judith Godwin, who certainly could have. But which of them, or which other imaginable suspect, would have sneaked a totally unpredictable surprise into her coffin and then rushed out to commit another murder? He doesn’t just plop himself down in the middle of it, but rather establishes himself and even a certain past he already had with Hawthorne. This goes a real long way in helping us forget who Horowitz is in reality and to simply accept him as the Watson of this duo. Robin Of Sherwood: Sanctuary (By: Michael Praed,Paul Birch,Richard Carpenter,Barnaby Eaton-Jones,Andy Secombe,Nikolas Grace) New York Times bestselling author of Magpie Murders and Moriarty, Anthony Horowitz has yet again brilliantly reinvented the classic crime novel, this time writing a fictional version of himself as the Watson to a modern-day Holmes.First published on the 4th of September, 2000, in the UK, this bestselling book was set to propel Anthony Horowitz’s profile forwards. Not only getting a film deal out of it, he’s also had a video-game and graphic-novel come from it as well over the following years. Setting up the ‘Alex Rider’ series, it creates the overall tone and feel for the books, whilst also establishing many of the main characters. THE WORD IS MURDER is an Anthony Horowitz novel, starring himself as a Watson-figure to fictional detective Daniel Hawthorne, in a murder investigation that blends reality and fiction in a masterful way, while telling a solidly plotted mystery. It’s been two years since Injustice aired and Detective Daniel Hawthorne needs cash. Having gotten himself fired from his job at the Metropolitan police, Hawthorne decides to approach Anthony Horowitz. He’s investigating a bizarre and complex murder and he wants Anthony to write a book about it, a bestselling book of course, with a 50/50 split. A woman crosses a London street. It is just after 11 a.m. on a bright spring morning, and she is going into a funeral parlor to plan her own service. Six hours later the woman is dead, strangled with a crimson curtain cord in her own home. A perfect detective novel in a unique style complete with an excellent twist!" ( Life Has a Funny Way of Sneaking Up On You)
The Word Is Murder: A Novel (A Hawthorne and Horowitz Mystery
During the 1980’s Anthony Horowitz started creating work for film as well as television, as he begun to expand upon his output. Writing for children’s shows such as ‘Dramarama’ and ‘Robin of Sherwood’ he started to create a name for himself within the field. It was then later on that he wrote the screenplay for the 2006 film ‘Stormbreaker’, whilst he’s also set to write the new Tintin film coming out too. Winning a number of awards throughout the years, Horowitz is not without his fair share of critical acclaim either. Expanding upon the mediums and formats he writes within, such as comic-books as well, this looks set to continue in the years to come. Creating more work all the time, his appeal is growing both critically as well as commercially, as he gains more success. When sorrows come, they come not single spies, but in battalions. ― Anthony Horowitz, The Word Is Murder The Ciphers of our Amusement
Publication Order of Alex Rider Non-Fiction Books
A total joy. Anthony is a master entertainer, the genius twists and turns of his writing and plot keep me on the edge of my seat.' Rory Kinnear One bright spring morning in London, Diana Cowper – the wealthy mother of a famous actor – enters a funeral parlor. She is there to plan her own service.
The Twist of a Knife - Penguin Books UK
The next morning she is found dead, stabbed in the heart with an ornamental dagger that has only one set of finger prints on it. Anthony's. With its unorthodox protagonist, clever plotting, brilliantly imperfect characters, and escalating sense of urgency and intrigue, THE WORD IS MURDER is an instant crime classic that will keep you reading as fast as you can… one of the best and most compulsively readable mysteries of the year. Hugely satisfying on every level." ( Written by Sime)Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
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