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The Moth: This Is a True Story

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Don't you love it when Goodreads turns up an unexpected gem that you wouldn't have otherwise gone anywhere near? Thanks Kate for putting me on to this! An inspiring and entertaining collection of unforgettable true stories about finding unexpected beauty in life’s transitions will debut on March 19, 2024! The book contains 50 stories that they promise aren't necessarily the best, but are those that lend themselves well to the written word, with only light editing. These stories are taken from the mainstage show and thus are told by the likes of President Clinton's press secretary, astronaut Michael Massimino, rapper Run DMC, and others. Although these stories had at their core values we can all relate to — being alone, being afraid — I still found it a bit hard to penetrate the world of celebrity. (That some of the stories are by Moth staff, and the book has a preface, a forward, and an introduction, further contributes to the self-congratulatory air.)

moth resources isabel thomas » moth resources

There's some line in Anne of Green Gables where Anne describes the ocean as something that blows out the cobwebs of her soul. This is what Catherine Cookson books (at her best) do for me. I'm always sort of driven up and outward when reading my favourites by her, particularly The Moth and Fifteen Streets, and she expresses in me a wonderful sort of restlessness. Maybe its that she's able to pen words to abstract feelings. I dunno. I just know I'm grateful to have read her books. The critics are justified, but at the end of the day, sometimes you gotta accept the formula, roll with it, and see it for the web of feelings it is. If you are ready for something different, and/or if you are in the mood to give a friend a fabulous gift, grab a copy of The Moth. I promise that you will be glad you did.

New paperback edition out now!

Example: reading The Lord of the Rings is a visceral, gut-wrenching thing for yours truly. There are chapters where JRRT rips my heart from my chest cavity, jumping up & down on my feels like a sadistic mofo. Yet such woebegone sadness is NOT A CONSTANT. There are brief periods of hope, contentment, & (most important) an overall aura of "Yes, it hurts, but I KNOW these people will make it to something better." Even old-skool rippers like This Other Eden or Stormfire, while epic in their suffering, embrace that oh-so-important glimmer, that pride in an as-yet unrealized period of "this too shall pass." The book becomes a story of two people who are very different, reacting to life through the eyes of what they have learned within their respective classes, finding themselves questioning it. What if all men in Robert's class are not ignorant? How is it that he treats me better than my own family does? Robert find Agnes a woman that he can talk to about serious subjects (such as in books), absent the games he has been subjected to by a number of women of his acquaintance. In short, he finds a woman who actually interests him.

The Moth by Catherine Burns | Goodreads The Moth by Catherine Burns | Goodreads

For the StorySLAM, ten participants are chosen at random from a pool of volunteer storytellers to tell a true story (without notes) in the five minute range. Storytellers are scored based on the content of their stories, and their storytelling abilities, by three teams of judges—selected from audience members—on a scale from one to ten. The storyteller with the highest score wins the StorySLAM. Moth is dedicated to my mother, Merlin. She was an incredible woman who raised me and my sisters alone. Mum died at young age when we were in our mid-20s, but I know she would have loved Moth and the way it has been embraced by children, teachers and parents on both sides of the Atlantic. Using Moth in schools With the archives that The Moth has, I can't imagine it was easy to start to narrow down the tales. But more needed to be done. It weakened the best of the stories to share company with so many others, and when lines -- like "straight out of central casting" -- are repeated between tellers, the effect of a description becomes less powerful. Because of the breadth, I can't remember any of the individual tales. And the point of this is the power of the individual tale. Hoopes, 1982 p. 33: “The Moth is about a 22-year-old man falling in love with a twelve-year-old girl.” A huge welcome to everyone taking part in the Great Science Share for Schools! Here are some ideas and resources for exploring the wonderful world of moths in your classroom over the coming weeks:

The Moth: The Best Storytellers in the World (PODIUM: The Art of Oration). @radical.media/THNKR. April 2013. Archived from the original on December 22, 2021 . Retrieved January 19, 2014. In addition to live performances, The Moth conducts a variety of community, education, and corporate workshops that teach the art and craft of storytelling in various regions and communities. [11] [12] [13] Community Engagement Program [ edit ] In particular re: my distaste for The Moth, the final straw (spoiler beware) was when a formerly loyal family retainer goes insane & sets fire to the house, then runs inside to his death after realizing his beloved Unbalanced Daughter of the House was still in the bedroom with her dog. Why did he do this? Because he couldn't face the Older Daughter of the House marrying a commoner who used to work for him in the stables & would therefore become higher than him on the servants' social ladder. I discovered The Moth phenomenon, not in its original format or the podcast, but as this book. It happened through complete serendipity in a Dublin bookshop a year ago - the type of real-life serendipity which algorithms make so hard to come by online. Somehow, it called out to me, and I'm glad I listened to my gut and bought the book, as it was honestly one of the few life-altering books in my life. Plus, it led me to discover the wonderful podcast. This will be a beloved read for existing Moth enthusiasts, fans of the featured storytellers, and all who savor well-told, hilarious, and heartbreaking stories. Buy The Book:

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