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Sigma 402965 16 mm F1.4 DC DN Contemporary Sony E Lens - Black

£166£332Clearance
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About this deal

When stopped down, even extreme pixel peepers won’t find a flaw in sharpness. Optical Quirks & Flaws I’m also happy to say that the autofocus was very accurate. I rarely experienced missed shots, and this is important, especially when you consider the 16mm is an f1.4 lens, so sometimes, the depth of field can be pretty shallow, especially when you’re shooting closer. I’ve got nothing but good to say about the AF on this lens, which hasn’t always been the case with Sigma lenses in the past! Sigma 16mm DN Image Quality This material is so high-quality that we’re also incorporating it into our Art and Sports lenses to provide lightness and thermal consistency." [Sigma] Coma occurs when light rays from a point of light spread out from that point instead of being refocused as a point on the sensor.

Sigma 16mm f/1.4 DC DN Review — A wonderful - Photofocus Sigma 16mm f/1.4 DC DN Review — A wonderful - Photofocus

SIGMA's DC DN lenses are made exclusively for mirrorless, and are designed primarily for use with crop sensor cameras. All DC DN lenses are available for Sony E-mount, L-Mount and FUJIFILM X systems, while our 16mm, 30mm and 56mm F1.4 DC DN | Contemporary lenses are additionally available for Nikon Z, Canon EF-M, and Micro 4/3. For weight, it comes in at about 14.3oz (405g). This heavy-ish weight, combined with the large size, made it feel slightly off-balanced, if I must admit, on my a6400.

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With the right lens profile and software, lateral CA is often easily correctable (often in the camera) by radially shifting the colors to coincide.

Sigma 16mm F1.4 DC DN C Review - Amateur Photographer

The lens has the now standard nine rounded aperture blades that I’ve seen on most all the Sigma lenses I’ve reviewed in the last 4-5 years. I’ll comment more on the bokeh quality in a moment, but Sigma does a good job of maintaining a circular shape even with the aperture closed down a number of stops. Removal is sometimes very challenging, and in some cases, flare effects can be quite destructive to image quality. Matthew Richards is a photographer and journalist who has spent years using and reviewing all manner of photo gear. He is Digital Camera World's principal lens reviewer – and has tested more primes and zooms than most people have had hot dinners!

Separately Sold Accessories

Here are all three lenses mounted on the Canon EOS M6 II to show you what they look like on a Canon EF-M mount camera body.

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