Everything Everywhere All at Once [Blu-Ray] (English audio. English subtitles)

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a b c Rubin, Rebecca (May 1, 2022). "A24's Everything Everywhere All at Once Hits Impressive Box Office Milestone". Variety. Archived from the original on May 1, 2022 . Retrieved May 1, 2022. Gerber, Jamie (December 17, 2021). "Everything Everywhere All At Once: Release Date, Cast, And More". /Film. Archived from the original on January 2, 2022 . Retrieved January 1, 2022.

Brody, Richard (March 24, 2022). " 'Everything Everywhere All at Once,' Reviewed: There's No There There". The New Yorker. Archived from the original on August 16, 2022 . Retrieved August 16, 2022. Prior to the 95th Academy Awards, IGN reported that Everything Everywhere All at Once had already surpassed The Lord of The Rings: The Return of the King (2003) as "the most awarded film of all time". [8] [115]James Hong as Gong Gong (Cantonese for "grandfather" [15]), Evelyn's demanding father; and Alpha-Gong Gong, Alpha-Evelyn's father in the Alphaverse who wants Evelyn to sacrifice Joy to impede Jobu.

Hatfield, Amanda (February 23, 2022). "Mitski, David Byrne, Andre 3000 & more feature on Son Lux's Everything Everywhere All at Once score". BrooklynVegan. Archived from the original on February 23, 2022 . Retrieved February 23, 2022. Weintraub, Steve (April 12, 2022). "James Hong, Stephanie Hsu, and Ke Huy Quan on 'Everything Everywhere All at Once' and How the Film is Modern Art". Collider. Archived from the original on December 6, 2022 . Retrieved December 6, 2022. Fuster, Jeremy (March 12, 2023). "Oscars: A24 Is First Studio to Win Top 6 Awards in Same Year". TheWrap. Archived from the original on March 13, 2023 . Retrieved March 13, 2023. Briscuso, Lex (April 8, 2022). "A 2000s One-Hit Wonder Became A Vital Part Of Everything Everywhere All At Once". /Film. Archived from the original on April 17, 2022 . Retrieved April 17, 2022.Carr, Mary Kate (March 6, 2023). "Everything Everywhere All At Once completes guild sweep with WGA win ahead of Oscars". The A.V. Club. G/O Media . Retrieved April 4, 2023. David Ehrlich of IndieWire called the film an "orgiastic work of slaphappy genius", praising the direction and performances, particularly Yeoh's, calling it the "greatest performance that Michelle Yeoh has ever given". [94] The Hollywood Reporter's David Rooney called it a "frenetically plotted serve of stoner heaven [that] is insanely imaginative and often a lot of fun", complimenting the cast and score but found the handling of the story's underlying theme underwhelming. [95] In her review for RogerEbert.com, Marya E. Gates lauded Yeoh's performance, writing, "Yeoh is the anchor of the film, given a role that showcases her wide range of talents, from her fine martial art skills to her superb comic timing to her ability to excavate endless depths of rich human emotion, often just from a glance or a reaction." [96] Bramesco praised the Daniels for constructing a "large, elaborate, polished, and detailed expression of a vision," [44] Amy Nicholson of The Wall Street Journal wrote, "Over its nearly two-and-a-half-hour running time, the movie's ambitions double, and double again, as though it's a petri dish teeming with Mr. Kwan and Mr. Scheinert's wildest ideas." [17]