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Disco hit the television airwaves as part of the music/dance variety show Soul Train in 1971 hosted by Don Cornelius, then Marty Angelo's Disco Step-by-Step Television Show in 1975, Steve Marcus's Disco Magic/Disco 77, Eddie Rivera's Soap Factory, and Merv Griffin's Dance Fever, hosted by Deney Terrio, who is credited with teaching actor John Travolta to dance for his role in the film Saturday Night Fever, as well as DANCE, based out of Columbia, South Carolina. a b c d e f "Disco Fashion: That's the way They Liked It". The Ultimate History Project. Archived from the original on October 6, 2017 . Retrieved October 27, 2017. Paul Gootenberg states that "[t]he relationship of cocaine to 1970s disco culture cannot be stressed enough..." [30] During the 1970s, the use of cocaine by well-to-do celebrities led to its "glamorization" and to the widely held view that it was a "soft drug". [34] LSD, marijuana, and "speed" (amphetamines) were also popular in disco clubs, and the use of these drugs "...contributed to the hedonistic quality of the dance floor experience." [35] Since disco dances were typically held in liquor licensed- nightclubs and dance clubs, alcoholic drinks were also consumed by dancers; some users intentionally combined alcohol with the consumption of other drugs, such as Quaaludes, for a stronger effect. In Sacramento, California, Disco King Paul Dale Roberts danced for the Guinness Book of World Records. He danced for 205 hours, the equivalent of 8½ days. Other dance marathons took place afterward and Roberts held the world record for disco dancing for a short period of time. [28] This record was a collaboration between Philip Oakey, the big-voiced lead singer of the techno-pop band the Human League, and Giorgio Moroder, the Italian-born father of disco who spent the 1980s writing synth-based pop and film music." Cater, Evan. "Philip Oakey & Giorgio Moroder: Overview". AllMusic . Retrieved December 21, 2009.
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a b Tim Lawrence. "The Forging of a White Gay Aesthetic at the Saint, 1980–84". In: Dancecult, 3, 1, 2011, pp. 1–24. Online version: "The Forging of a White Gay Aesthetic at the Saint, 1980–84". Timlawrence.info. July 2, 2013. Archived from the original on October 31, 2017 . Retrieved October 27, 2017. a b Braunstein, Peter (November 1999). "DISCO". American Heritage. Vol.50, no.7. Archived from the original on February 5, 2010 . Retrieved February 5, 2010.Dance-pop". AllMusic. October 30, 2011. Archived from the original on May 2, 2019 . Retrieved October 10, 2022. This section does not cite any sources. Please help improve this section by adding citations to reliable sources. Unsourced material may be challenged and removed. ( October 2023) ( Learn how and when to remove this template message) a b "How Dua Lipa Is Leading The Charge Toward Disco-Influenced Production". Billboard. March 27, 2020 . Retrieved September 23, 2020. Hanson, Kitty (1978) Disco Fever: The Beat, People, Places, Styles, Deejays, Groups. Signet Books. ISBN 978-0451084521. Ihsan Al-Mounzer: The godfather of belly dance disco". Archived from the original on October 20, 2021 . Retrieved October 20, 2021.
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But the pre-Saturday Night Fever dance underground was actually sweetly earnest and irony-free in its hippie-dippie positivity, as evinced by anthems like MFSB's Love Is the Message." – Village Voice, July 10, 2001. a b "ARTS IN AMERICA; Here's to Disco, It Never Could Say Goodbye", The New York Times, USA, December 10, 2002, archived from the original on November 6, 2015 , retrieved August 25, 2015 Murrells, Joseph (1978). The Book of Golden Discs (2, illustrateded.). Barrie & Jenkins. ISBN 0-214-20480-4. Biggest selling singles discs.G lossy got an upgrade. The OG shine you love, now formulated with Vitamin E for more moisture and all day comfort. In the 1970s, notable discos included " Crisco Disco", "The Sanctuary", "Leviticus", " Studio 54", and " Paradise Garage" in New York, "Artemis" in Philadelphia, "Studio One" in Los Angeles, "Dugan's Bistro" in Chicago, and "The Library" in Atlanta. [23] [24] Shapiro 2006, pp.205–206 "'Broadly speaking, the typical New York discothèque DJ is young (between 18 and 30) and Italian,' journalist Vince Lettie declared in 1975. [...] Remarkably, almost all of the important early DJs were of Italian extraction [...]. Italian Americans have played a significant role in America's dance music culture [...]. While Italian Americans mostly from Brooklyn largely created disco from scratch [...]." Disco is a genre of dance music and a subculture that emerged in the 1970s from the United States' urban nightlife scene. Its sound is typified by four-on-the-floor beats, syncopated basslines, string sections, brass and horns, electric piano, synthesizers, and electric rhythm guitars.
Disco - Etsy UK Cake Topper Disco - Etsy UK
Lawrence, Tim (March 2011). "Disco and the Queering of the Dance Floor". Cultural Studies. 25 (2): 230–243. doi: 10.1080/09502386.2011.535989. S2CID 143682409. Archived from the original on April 27, 2021 . Retrieved March 20, 2021. The a cappella jazz group the Manhattan Transfer had a disco hit with the 1979 "Twilight Zone/Twilight Tone" theme. Other disco producers such as Tom Moulton took ideas and techniques from dub music (which came with the increased Jamaican migration to New York City in the 1970s) to provide alternatives to the "four on the floor" style that dominated. DJ Larry Levan utilized styles from dub and jazz and remixing techniques to create early versions of house music that sparked the genre. [66] Motown turning disco [ edit ]a b Moore-Gilbert, Bart (March 11, 2002). The Arts in the 1970s: Cultural Closure. Routledge. ISBN 9780415099066 . Retrieved May 30, 2012. a b c "It's Happy, It's Danceable and It May Rule Summer". The New York Times. May 30, 2013. Archived from the original on March 3, 2017 . Retrieved February 15, 2017. Sancho, Xavi (August 3, 2014). "Madonna: eterno regreso a la provocación". El País (in Spanish). Madrid, Spain. Archived from the original on December 6, 2014 . Retrieved December 6, 2014. In France, Dalida released " J'attendrai" ("I Will Wait") in 1975, which also became successful in Canada, Europe, and Japan. Dalida successfully adjusted herself to disco and released at least a dozen of songs that charted in the top 10 in Europe. Claude François, who re-invented himself as the "king of French disco", released "La plus belle chose du monde", a French version of the Bee Gees song " Massachusetts", which became successful in Canada and Europe and "Alexandrie Alexandra" was posthumously released on the day of his burial and became a worldwide success. Cerrone's early songs, "Love in C Minor" (1976), " Supernature" (1977), and "Give Me Love" (1978) were successful in the US and Europe. Another Euro disco act was the French diva Amanda Lear, where Euro disco sound is most heard in " Enigma (Give a Bit of Mmh to Me)" (1978). French producer Alec Costandinos assembled the Euro disco group Love and Kisses (1977–1982).
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