Fuji Superia X-TRA 3 Pack ISO 400 36 Exp. 35mm Film, Total 108 Exposures

Product Information

I came to Fuji after some terrible experiences with Kodak. Kodak do great movie film but seem to have taken their eye off the ball with still film. I've used the Fuji film all round the world and every time I'm amazed by just how good it is. Don't forget that the quality of the printing makes all the difference. A good digital minilab is essential. In the UK, Boots do a good service but make sure they do it in-store on a Fuji digital minilab. I think that generally, Portra is known for its muted, pastel colours (with perhaps a very slight yellow hue) and to be honest, Fuji Superia nearly replicates that with perhaps a little bit more saturation. All film was graciously developed by Lomography Gallery Store in NYC. I highly encourage you to give it a visit. Tech Specs Ease of Use

Generic Error - Boots

Kodak Portra has been around since 1998, although, I’m sure a variation of it has been available for a lot longer (Kodak loved to chop and change the name of things). Their precision beats and the serious demeanor with which they drummed was mesmerizing, and the crowd’s attention was firmly fixed on the line of drummers instead of the fact that we were getting scored on. The floodlights of the stadium served to illuminate them perfectly. I pushed my way to the front of the crowd and snapped only one picture of the scene, trusting my FG’s program mode to pull through.Fuji Superia’s lush greens are usually perfect for festival and outdoor scenes, but Venus 800 is a slightly more muted, cool affair. I found none of the almost over-saturated colour here, instead a realistic rendering of skin tones, grass, and a slightly blue cast – very subtle, and not too noticeable. Hi Ritchie! Thank you for your beautiful and useful receipes. I just bought a x100V and I love this Superia 100! But one thing is for sure, if you want great general use film, Fujifilm Superia is a fantastic option. For the scoring sheet under price, I’ve included some default pricing scoring that are informed by these prices per frame in the US. For everyone else, you’ll want to do your own research. https://fujixweekly.com/2019/06/13/my-fujifilm-x-t30-fujicolor-100-industrial-film-simulation-recipe/

Fujifilm Superia - Wikipedia

So that’s it as far as c-41 or color negative films. Now, keep in mind there are three other really amazing films that are available for shooting in color that we did not cover. These are e6 process slide films. For Fuji we have Velvia and Provia, and for Kodak we have the recently re-released Ektachrome. I did not evaluate these films here as these are not at all what I would call beginner films. Slide films are a bit of a different animal requiring much more precise exposure. Over expose or under expose even a little bit and these films end up being a very expensive waste of time. On the other hands, nailing exposure with these films can be quite rewarding as the colors are brilliant and are hard to duplicate even digitally. If you’re interested in separate video that explores these films, let me know. Maybe we’ll do that in the future. I’ve actually mistakenly shot with this film on a trip to the dragon in 2017. Only film Walmart had left and the CVS in DC had the same. It was all expired as well but I didn’t care. I shot it on my Nikon F5/50MM 1.8E Finally, we have Cinestill 50d. In its original form, this film is Kodak Vision3, which is a daylight balanced motion picture film. Cinestill takes Vision3 in bulk and removes the remjet layer so it can be produced as a photographic film. There are several distinguishing factors about this film that set it apart, but the biggest is what happens to it as a result of losing that remjet layer. That layer acts as an anti-halation layer for the film, so with it gone, you will notice a pronounced tangerine-ish colored glow around highlights. This is the Cinestiill trademark and depending on who you are, is what makes it beloved or hated. And while the film does exhibit extremely fine grain, it also has very low edge sharpness which makes it appear soft, again, as a result of that halation. It’s also quite commonly held in real shops (when/if they ever open again) which gives one the rare opportunities for spontaneous choice.Fujifilm’s processless plate technology features a number of high performance multi-layer coatings. In previous generations of processless, handling without care could sometimes damage the coatings, but Superia ZD is less sensitive to scratching. I know what you’re thinking, it’s that meme from the office where she’s like “They’re the same picture” and honestly, there’s very little difference at all. The only thing that I think I can glean from these pictures is that the Superia may have a little more saturation in the magentas (the pink flowers) and possibly a little more green. Fujicolor Superia is a Fujifilm brand of daylight balanced consumer colour negative film introduced c1998 replacing the previous 'Super G plus' films. This film has been manufactured in 100, 200, 400, 800 and 1600 ISO speeds. [2] [1] [3] [4] [5] Superia Premium 400 a Japanese market variant was added in 2009. The Superia line was a primarily aimed at the consumer point and shoot market but is also popular with enthusiasts. All speeds of all films were available in 135 format. Superia 100 and 400, as well as Reala 100 were additionally available in the 120 format. Superia 200 was also made in the 110 format. Despite the launch of Superia, Fujifilm also continued to offer a budget 'fujicolour' negative film in ISO 100 or 200 speeds based on older technology for price sensitive markets. The festival photos were still in line with the first roll taken at night, and even the mixed light was handled quite well.Interestingly some did have a very slight red cast when initially scanned but I suspect that could just be the conversion.I was really impressed on the photos that were correctly exposed on how it handled the different light sources. This is all down to Portra having a better exposure latitude. And, while that is definitely true, I had to look closely to find this difference so I’d be happy to say that Fuji has good exposure latitude, it’s just that Portra has great exposure latitude.

Fujifilm Superia ZX Plate - Processless Thermal Plate

The best ISO400 film I’ve tried is Lomography’s 400CN, but even that isn’t stunning. I’m not sure what emulsion that is based on. Fujifilm Superia is very much like many other negative films out there. Especially in the case of the case of the 1600 film, you’re best off giving it more light than it’s rated for. In some cases, I’d rate Fujifilm Superia 200 at ISO 100 and then develop it at ISO 200. Fujifilm Superia is available only in 35mm emulsions now unfortunately, so you’re not going to get the incredibly awesome quality that you typically get with 120. However, the images you get with 35mm will perhaps be more personal and meaningful as the small format lends itself to ease of use in terms of exposures. Competing directly with Fuji’s c200, Kodak’s Color Plus 200 is Kodak’s cheapest color option. For a Kodak film, its tones are a bit cooler than what I remember seeing in reality. But the tones stay surprisingly true in indoor situations with less than ideal light. The highlights seem to have a red hue. The skin tones seem true to life, if not a bit more contrasty than some of Kodak’s other films. Color Plus is not a sharp film and, as expected for a budget film, very grainy. It’s latitude is wide, but maybe slightly less so than Kodak Gold 200. Since it’s extremely cheap, Color Plus is also a common film to see among street photographers.First, let’s talk about the more budget or consumer films for Fuji. In many ways Fuji c200 and Fuji Superia Xtra 400 are very similar. A commonality among Fuji films is cooler tones than Kodak and propensity toward greens in the shadows and, in some cases green overtones in general. This is due to the fact that Fuji films have an extra layer in their emulsions which tends to be cyan-green. A few nights later I met with a photographer friend and we went for a night photo walk in Darling Harbour.Again, I enjoyed being able to shoot a little more freely.I finished off the roll and handed it into my lab the next day.

Fujifilm [United Kingdom] Processless CTP Plates | Fujifilm [United Kingdom]

Fujicolor Superia is a Fujifilm brand of daylight balanced colour negative film introduced ca.1998 primarily aimed at the consumer market, but was also sold in a professional 'press' variant. A key feature at launch was the '4th' cyan colour layer designed to provide improved colour reproduction under fluorescent lighting. Its Kodak equivalent is the Kodacolor (later Kodak) Gold/Ultramax line.

When I bought a couple of rolls of Natura 1600 it was still available in Japan.It was discontinued soon after, but I did not shoot it for quite a while.Mainly because it I just didn’t have the right opportunity. Credits: ryszardl70, sovulia, icomewhenieatcaponata, plasticpopsicle, jezzyjung, mingkie, xaviru, gotoarizona& ali55 As a necessary part of the printing process, sundries can be the difference between meeting or missing a deadline. Our network provides access to a complete portfolio of high quality ancillary products. All this being said, Superia’s biggest claim to fame is its color rendition, which is simply fantastic. The gorgeous tones and stunning saturation are traits we most often find in pricier, “professional” film, and it’s even more stunning when we consider the low cost of Superia. This film absolutely shines when capturing vibrant scenes of the natural world, as well as bustling urban cityscapes. Colors are saturated without looking garish, and blues and greens render beautifully. The only caveat with Superia 400’s color rendition in daylight is that it might have a tendency to render lighter skins with a pinkish tone that may be unflattering for portraiture. On balance, over-exposure can help with this as well. As we increase the exposure times we see a shift that pushes dark tones closer to the highlights, tightening the curve, rendering skin brighter and making contrast from facial shadows less visible.