Story Central Level 2 Student Book Pack

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Another is Rule of Wolves by Leigh Bardugo, where Nikolai is the charming king with a demon inside, and Zoya is his beautiful but bitter army general, wrestling with childhood trauma as a young woman. This is a good example of dual points of view wherein characters’ internal conflicts contrast. The winter is than the summer. 2 Nights at the bottom of the mountain are than at the top. 3 The summer is than the winter. 4 The lake is the in the country. 5 The waterfall is one of the chillier

Simple, right? However, there is one condition. The character’s ‘want’ and ‘obstacle’ both have to be strong, so strong that they’ll fight tooth and nail to beat each other. If either the want or the obstacle is weak or unbalanced, the conflict will be too, and the driving force of the story will suffer. A detailed Cambridge English Qualifications mapping document is available in the Teacher Resource Center. Songs and stories are also used in other lessons to contextualize and practice the new grammar. The fun activities that accompany the song in Lesson 5 give students a reason to use their new language and the story in Lesson 6 helps them understand how the new structure is actually used. In a character vs. technology central conflict, the enemy is science and progress, or the pursuit of it eg. inventions (like robots or artificial intelligence) evolving beyond human control. Complete the superlative questions. Then write answers. 1 What is the (big) animal in your country? . 2 Who’s the (tall) teacher in your school? . 3 Where’s the (quiet) place to study? . 4 What is the (late) time you can go to bed? . biggest The biggest animal is the

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Bangkok is a big city in Thailand. There are a houses, malls, and cafés. The streets in Bangko very busy. There are cars and motorcycles. The buses and taxis. There are tuk-tuks, too. Tuk-tuks are blue and red. There’s a long river in Bangkok called the Chao Phraya River. There are river buses on the Phraya River. External conflict is when a main character is set against another character, society, technology, nature, or even powers like fate or supernatural forces. It's a question we are frequently asked, and you may not be surprised to find that it's NOT JUST ONE THING.

A central conflict and climax refers to a story’s inciting incident, its central conflict that advances the plot’s points, and how the story’s climax is resolved. Here, the central conflict is defined as when a main character’s strongest desire is met by an equally strong internal or external obstacle. Crafting Central ConflictsExtensive practice material for the Cambridge English Qualifications • New Exam Booster section in the Activity Book • Ideal for students taking the actual exam and for those who just want more exam practice The concept (and conflict) in Kristin Cashore’s ‘Graceling’ is that Katsa is born with a killing Grace — a rare, exceptional skill — and must rebel against the king exploiting her fate for a deadly advantage. Challenges players by increasing the language level, game speed and points available as they progress through each level and stage

Brandon Sanderson’s The Final Empire is another epic fantasy. Here, the Skaa live in misery as slaves under the thousand-year-old Lord Ruler’s empire, until a rebel escapes his prison and starts a revolution. Use Is there …? and Are there …? to ask about things around us. To answer, use There’s / There isn’t … with singular nouns and There are / There aren’t … with plural nouns.The Story Central and The Inks 2 app is a great way for young learners following Macmillan Education’s Story Central course at school to practice and build their language skills at home. At a micro level, your main conflict is the problem your character is trying to solve, starting with the story’s inciting incident and resulting in their actions (or inaction). So, conflict in a story guides your plot. It’s not just about your main character achieving their desire. It’s also about their opposition — the obstacle — doggedly persisting. What’s at stake if your character doesn’t get what they want? Ideally, the opposition winning, with extreme consequences. Align (Or Misalign) The Conflict With Your Protagonist’s Wants Story Central and The Inks 3 app is a brand-new vocabulary-building game designed for non-native learners of American English aged 8–9 (Primary level A2). Now it’s up to Alfred – whose father works at the fertilizer factory – and Sihja to find out who is behind the threat to their city. Thanks to a clever and courageous investigation, they manage to prevent an environmental disaster. With a little help from Alfred, Sihja learns to master her superpowers and she helps Alfred to find the confidence to stand up for himself.