Why Women Grow: Stories of Soil, Sisterhood and Survival

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A stunning meditation on why women are drawn to the soil, featuring contributions from Ali Smith, Hazel Gardiner and Cosey Fanni Tutti.

Kayla, eking out the last months of her sentence in an open prison, cannot see her children due to Covid, but finds solace restoring glasshouses to grow tropical plants for city millennials. Vincent notes the pricey blow-dry of a woman whose overgrown plant Kayla capably splits in two before admonishing her to clean the pot. The message is clear: purpose restores pride and hope. Alice Vincent is a writer. Her books include Rootbound: Rewilding a Life (which was longlisted for the Wainwright Prize and named as a book of the year by the FT and the Independent) and the forthcoming Why Women Grow. A columnist for Gardens Illustrated, Alice writes for The FT, The New Statesman, Vogue, The Guardian, The Telegraph and other titles, and is the features editor of Penguin.co.uk and the creator of @noughticulture. I love hearing from Carole, who grew up on the estate behind my Brixton flat in the 70s, and has the best stories to tell. Sometimes I bump into her in the neighbourhood while she’s on one of her sprawling south London walks; sometimes I pass her equipment or plants for her community gardens. Every time, it feels like I’m part of a community I didn’t previously know existed. I regularly meet Elaine, an artist on the cusp of her 60s, for an outdoor sandwich, following the first spontaneous picnic we shared that she pulled, Mary Poppins-like, from her bag years before. She’s lived a remarkable and inherently feminist life, giving women’s voices space in her work. The last time I saw her, she gave me a flower press she’d made from old table mats that belonged to her mother.

Maya Thomas

When I was confident we could meet socially, or off-the-record, we embarked on that all-too-rare thing in adult life – a new friendship. There’s Diana, now 84, whom I see most weeks, cycling to her house for lunches of posh leftovers served on green plates, often with wine. Despite the 50-year age gap we share a predilection for astrology, inventive outerwear and composting. After interviewing Hazel, a floral designer in her 40s, a box of bright pink biscuits spelling out “BRING ON THE BARBICAN” arrived on my doorstep – we’d spoken about our mutual love of the brutalist estate and hatched a plan to sit in Nigel Dunnett’s Beech Gardens together. We ended up chatting for so long we made ourselves late for our subsequent plans. Several glorious dinners, catch-ups and voice notes later, I invited her to my wedding. One simple concept, a million cookbooks sold: Rukmini Iyer’s Roasting Tin recipe books have transformed dinner times around the country. But the writer and food stylist is also a keen amateur gardener, growing first on a balcony and, later, in a garden on a quiet street in leafy South London. Iyer’s adventures in growing food to eat collided with the arrival of her first child, and gardening has given her a new perspective on what it is to feed and nourish. We catch up with the author of India Express at home to discuss her strategies for raising enough aubergines to feed a crowd, and why she’ll always prefer to grow from seed. We’re very excited to welcome Alice Vincent, writer and Maya Thomas, herbologist, chef and writer for a talk on the book ‘Why Women Grow: Stories of Soil, Sisterhood and Survival’, 2023.

Alice Vincent has written something wonderful. Why Women Grow is a book that not only presents us with the beauty of the earth but asks one of the most fundamental questions to the human condition: what does it mean to create? I loved the way she wrote about the ambivalent power of the maternal question . . . We need more books about women, wombs and our role in the world; Alice has done that with charm, humour and an impressive depth of knowledge.’Gardening also summons up ghosts, whether recalling skills learnt at a grandparent’s heels, or, like Fernanda, coaxing a recalcitrant herb, shiso, from a windowbox, 29 storeys up, to regain a flavour left behind in Hong Kong. When Fiona reworked a corner of her garden to commemorate a stillborn child this process not only offered a sense of beauty and meaning, but its sheer dogged slowness mirrored the changing nature of grief in a way that steadied her. Anne McIntyre has been in clinical practice working as a medical herbalist for over 40 years, having also trained as a remedial masseuse, aromatherapist, homeopath and counsellor. Anne runs her busy practice from Artemis House in the Cotswolds and for over 30 years she has incorporated Ayurvedic philosophy and medicine into her clinical practice, producing a unique integrated approach to the care of patients and prescription of herbs. When I wanted to know why women turned to the earth, I thought about some of the reasons. I thought about grief and retreat. I thought about motherhood and creativity. I also thought about the ground as a place of political change, of the inherent politics of what it is to be a woman, to be in a body that has been othered, dismissed and fetishised for millennia. I thought about the women who see the earth as an opportunity for progress and protest. Anne is a Fellow of the National Institute of Medical Herbalists, a Member of the College of Practitioners of Phytotherapy, and a Member of the Ayurvedic Professionals Association.

Wise, curious and sensitive, Why Women Grow follows Alice in her search for answers, with inquisitive fronds reaching and curling around the intimate anecdotes of others. Once again I felt unmoored amid a sea of change I had no control over. Loneliness came at me in surprising ways – as anger and frustration and listlessness. Unable to forge ahead with a big night out or arrange an indulgent dinner party, I sat down and made a list of names: women whom I admired or was intrigued by, all of whom I wanted to meet. Nurturing life from neglected spaces yields a good deal more than homegrown peas. Marchelle, a Cambridge scholar originally from Trinidad, was lured to buy her house in Somerset by the siren song of stream that changes according to where you stand in the garden. Tending it makes her feel “mothered” now she is so far from her family. In a similar vein, 21-year-old Mel countered solitude as an outsider in her village. “I do think loneliness goes with being indoors … In the garden, there’s always some noise … it would be hard to dwell on that feeling if you’re outside.” Alice Vincent is a writer. Her books include Rootbound, Rewilding a Life and the forthcoming Why Women Grow. A columnist for Gardens Illustrated, Alice writes for The New Statesman, Vogue, The Guardian, The Telegraph and other titles, and is the features editor of Penguin.co.uk.In Rootbound, the author rekindles a long lost love for the outdoors and gardening, as she answers these questions as she goes along.

At her best Vincent captures a garden in its mid-October glory: “Masses of purple asters, the last of the scabious, nigella and salvias; one brave, bright purple foxglove clinging on five months after its siblings bloomed.” Elsewhere her writing veers into repetition. Few interviews deviate from generalisation into toothsome anecdote, and a meeting with Cosey Fanni Tutti of 1970s band Throbbing Gristle skitters by in a quote-free paragraph.

I have always learned about plants through their stories: how they came here, what they represent, what silent powers they hold and who they mean something to. I have made my career as a storyteller: as a journalist, I have told stories daily for more than a decade. Now, I wanted to hear – perhaps even tell – these women’s stories. I wanted to learn more about what had driven these women to garden, perhaps to better understand my own need for the soil, perhaps to better understand what it was to be a woman. The Why Women Grow podcast is produced by Holly Fisher, and theme music is by Maria Chiara Argiro. Thank you to Canongate and Uprooting, by Marchelle Farrell, for supporting this episode. We are grateful to our hosts at Charleston House and to Hollie Fernandes for her beautiful photographs of Jamaica Kincaid taken there. The creative mind behind Hill House Vintage and author of Hill House Living, Paula Sutton is a stylist, writer and - perhaps most of all - a purveyor of joy. After navigating a career in the fast-paced and glamorous world of fashion magazines, Paula relocated from the streets of South London to Hill House, an idyllic Georgian home in Norfolk 12 years ago. There, she decided that she was going to live - and raise her three young children - with a focus on what made her happy. Gardening is something that she has discovered later in life but has, she explains, become a crucial part of living in a more meaningful way.