Van Gogh. The Complete Paintings

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Hayden, Deborah (2003). Pox: Genius, Madness and the Mysteries of Syphilis. Basic Books. ISBN 978-0-465-02881-8. Main article: Saint-Paul Asylum, Saint-Rémy (Van Gogh series) The Starry Night, June 1889. Museum of Modern Art, New York Channing, Laurence; Bradley, Barbara J. (2007). Monet to Dalí: Impressionist and Modern Masterworks from the Cleveland Museum of Art. Cleveland Museum of Art. ISBN 978-0-940717-90-9.

Van Gogh (2009), Letter 640. Vincent to Theo van Gogh, Arles, Sunday, 15 July 1888. Letter 695. Vincent to Paul Gauguin, Arles, Wednesday, 3 October 1888.

Van Gogh, Vincent (2009). Leo Jansen; Hans Luijten; Nienke Bakker (eds.). Vincent van Gogh – The Letters. Van Gogh Museum & Huygens ING. Conflicts arose between the brothers. At the end of 1886 Theo found living with Vincent to be "almost unbearable". [116] By early 1887, they were again at peace, and Vincent had moved to Asnières, a northwestern suburb of Paris, where he got to know Signac. He adopted elements of Pointillism, a technique in which a multitude of small coloured dots are applied to the canvas so that when seen from a distance they create an optical blend of hues. The style stresses the ability of complementary colours – including blue and orange – to form vibrant contrasts. [96] [116] Hulsker, Jan (1980). The Complete Van Gogh, paintings, drawings, sketches. Phaidon. ISBN 978-0-7148-2028-6. Van Gogh was captivated by the fields in May when the wheat was young and green. His Wheatfields at Auvers with White House shows a more subdued palette of yellows and blues, which creates a sense of idyllic harmony. [275]

Stryker, Mark. "Dia defends its right to Van Gogh – Nazi-era collector's heirs say it's theirs". www.lootedart.com. Archived from the original on 25 February 2021 . Retrieved 25 February 2021. Van Gogh said portaiture was his greatest interest. "What I'm most passionate about, much much more than all the rest in my profession", he wrote in 1890, "is the portrait, the modern portrait." [241] It is "the only thing in painting that moves me deeply and that gives me a sense of the infinite." [238] [242] He wrote to his sister that he wished to paint portraits that would endure, and that he would use colour to capture their emotions and character rather than aiming for photographic realism. [243] Those closest to Van Gogh are mostly absent from his portraits; he rarely painted Theo, Van Rappard or Bernard. The portraits of his mother were from photographs. [244] Rovers, Eva (2007). " 'He Is the Key and the Antithesis of so Much': Helene Kröller-Müller's Fascination with Vincent van Gogh". Simiolus: Netherlands Quarterly for the History of Art. 33 (4): 258–272. JSTOR 25608496. See also: Olive Trees (Van Gogh series) Road with Cypress and Star, May 1890, Kröller-Müller Museum, Otterlo Adams, James (14 July 2016). "Historian Bernadette Murphy on digging into the Van Gogh ear mystery". The Globe and Mail. Archived from the original on 30 October 2020 . Retrieved 6 September 2020.Callow (1990), 116; cites the work of Hulsker; Callow (1990), 123–124; Van Gogh (2009), Letter 224. Vincent to Theo van Gogh. The Hague, on or about Sunday, 7 May 1882

Weed Burner, Sitting on a Wheelbarrow with his Wife / Three Persons Returning from the Potato Field

Cain, Abigail (26 July 2016). "How One Art History Teacher Solved Two of the Biggest Mysteries about Van Gogh". artsy.net. Archived from the original on 21 February 2019 . Retrieved 21 February 2019. Furness, Hannah (27 August 2018). "Van Gogh was not unappreciated in his lifetime, myth-busting letter shows". The Daily Telegraph. Archived from the original on 8 September 2018 . Retrieved 7 September 2018. At Christmas I had a rather violent argument with Pa, and feelings ran so high that Pa said it would be better if I left home. Well, it was said so decidedly that I actually left the same day." Olive Trees (Van Gogh series) of 16 paintings: Saint-Remy, spiritual significance, complement to The Starry Night Vincent Willem van Gogh was born on 30 March 1853 in Groot-Zundert, in the predominantly Catholic province of North Brabant in the Netherlands. [24] He was the oldest surviving child of Theodorus van Gogh (1822–1885), a minister of the Dutch Reformed Church, and his wife, Anna Cornelia Carbentus (1819–1907). Van Gogh was given the name of his grandfather and of a brother stillborn exactly a year before his birth. [note 2] Vincent was a common name in the Van Gogh family. The name had been borne by his grandfather, the prominent art dealer Vincent (1789–1874), and a theology graduate at the University of Leiden in 1811. This Vincent had six sons, three of whom became art dealers, and may have been named after his own great-uncle, a sculptor (1729–1802). [26]