Scream 2 4K UHD Steelbook [Blu-ray] [Region A & B & C]

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Poor Sidney Prescott (Neve Campbell) has finally moved on from the fact that Billy Loomis tried to murder her after killing her mother 2 years ago, and has gone on to college where she has a nice boyfriend in the form of Derek (Jerry O’Connell) and hanging out with her friends on campus. That is until a copycat murderer starts stabbing people just like the first go around, and now Sydney has no idea who could possibly be after her. Dewey (David Arquette) sagely warns her that it HAS to be someone entrenched in her life (as these movies always do) before trying to help her figure out what’s going on. identifiable knife, blade tip at the bottom. It is centered and vertically aligned. Faintly on the left is the film's title, also running vertically top to bottom,

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the old Blu-ray palette, but here, the colors breathe in natural beauty and firm command of tonal accuracy. More than that, the extremes are handled details inherent to the original material; faces, clothes, buildings and natural elements around campus, as well as odds and ends inside homes, all digital processing artifacts and residue. Here, the picture is faithful to its cinematic roots. The grain is even and consistent and details are naturally

Scream 2 comes to Ultra HD Blu-ray from Paramount Home Entertainment featuring 2160pHEVC encoded video and lossless DTS-HD 5.1 Master Audio sound. L-R: Jerry O’Connell as Derek Feldman, Neve Campbell as Sidney Prescott, Courteney Cox as Gale Weathers, and Liev Schreiber as Cotton Weary in SCREAM 2. Photo courtesy of Paramount Pictures.

Home › Recommendation › Films To Watch › In honor of the 25th Anniversary, take a stab at the brand-new 4K UHD edition of “Scream 2.” Deleted Scenes– Just under 5 minutes of deleted scenes are shown with optional commentary by the above trio. I’m figuratively shrugging my shoulders as these didn’t offer much to the final product. Languages: English – United States, French – Parisian, German, Italian, Japanese, Spanish – Castilian, and Spanish – Latin American; nevertheless classy and speaks to the movie's style, albeit focused primarily on the famous opening sequence The front panel reveals the readily L-R: Omar Epps as Phil and Jada Pinkett Smith as Maureen in SCREAM 2. Photo courtesy of Paramount Pictures.

Subtitles: English – United States, English – United States (SDH) (English For The Deaf And Hard Of Hearing), Danish, Dutch, Finnish, French – Parisian, German, Italian, Japanese, Korean, Norwegian, Spanish – Castilian, Spanish – Latin American, Swedish, English – United States (Commentary), French – Parisian (Commentary), German (Commentary), Italian (Commentary), Japanese (Commentary), Korean (Commentary), Spanish – Castilian (Commentary), Spanish – Latin American (Commentary), French – Parisian (Forced), German (Forced), Italian (Forced), Japanese (Forced), Spanish – Castilian (Forced) and Spanish – Latin American (Forced). L-R: David Arquette as Dwight ‘Dewey’ Riley, Jamie Kennedy as Randy Meeks, and Courteney Cox as Gale Weathers in SCREAM 2. Photo courtesy of Paramount Pictures. Audio: English: DTS-HD MA 5.1, German DD 5.1, Spanish (Castilian), Spanish (Latin), French, Italian, Japanese DD 2.0

Scream: Other Editions

The Dolby Vision color grading brings new life to the image with a natural and eye-catching color grading which is far more exact, nuanced, and bold Featurette– A short, seven minute featurette is shown with interviews “talking heads” that talk about the sequel, the film as a whole and so on. Meh. I always find it amusing when watching Scream 2 how the characters are discussing sequelitis in the opening act, complete with arguing over which sequels actually were better than the first. A rarity in film making, as most of the creative energy went into the first, and the second usually attempts to simply up the ante and max things out to level 11. While Scream 2 may not SUCCEED it’s originator, it most certainly ties it for best movie of the franchise. Not to mention it’s the film where the series starts to get even more meta than it had before, winking and nudging the audience along as it plays with horror and sequel tropes. With the success of 1996’s Scream, there was never a doubt that we’d see a sequel. It’s a given. And given the “rules” of movie making, we knew that it was all about the trilogy (though, as years have passed we’d see another sequel and then a reboot). Some things never change. Scream was a hit because it poked fun at the genre that director Wes Craven helped create. By doing this, it opened up the door to do things that other films couldn’t. By these rules, sequels are supposed to be bigger, have a higher body count (assuming it’s a horror movie) and, in short, have everything be bigger and badder. And that’s what Scream 2 did. I’ll go on the assumption that the original has been seen, but on the off chance it hasn’t – I won’t ruin anything in this introductory paragraph.

Two years have passed since the killings in Woodsboro. We now find the surviving cast members at Windsor College. Cotton Weary (Liev Schreiber) has been released from prison and is making the rounds, trying to cash in on his newfound stardom. Gale Weathers (Courtney Cox) has written a best-selling novel, The Woodsboro Murders, which is being adapted into a film – Stab. But as the premiere date approaches, a new wave of murders start to occur on the college campus. Dewey (David Arquette) deduces that it’s a copycat killer, but there might be something a bit more sinister at work. Reuniting with Sidney (Neve Campbell) and Randy (Jamie Kennedy), they try to piece things together and catch the killer. the midpoint, center, and in white, with a red "2" scrawled over it. The rear panel is similarly bleak in color. A bloody knife fills the bottom third. The top The slasher sequel screams its way to the Ultra HD campus with a generally satisfying and overall excellent HEVC H.265 encode, offering a nice step-up from its Blu-ray predecessor but is not the sort of night-and-day difference expected. There are no other source or encode issues to report. This is an A-grade catalogue UHD release from Paramount. Fans are going to be beyond artificially sharped and actually made to look worse. At this resolution, and with this master, the image capably reveals exact textures and fine pointdark gray color. The telephone seen at the film's open is lying on the floor, again very gray and blended. Small studio logos flank the bottom corners