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Nikon AF-S NIKKOR 200-500mm f/5.6E ED VR Super telephoto zoom lens in FX format, black [Nital Card: -

£0.5£1Clearance
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The Canon 100-400 does nothing for you if you shoot Nikon, but if you're on the fence between Nikon and Canon, I'd get the Canon lens and upgrade to the Canon system instead. Nikon's DX cameras are competitive, while I prefer my full-frame Canons over my FX Nikons. This field review of the Nikon 200-500 f/5.6 lens, looks at how the lens performs from the perspective of a nature and wildlife photographer. It examines how this lens performs in the wild, as well as looking at the lens controls and ergonomics. This is important, especially if the lens has to be used from dawn to dusk in the wilderness. The Nikon 200-500 is made mostly of plastic in China, which is the same as Nikon lenses that cost twice as much! The Nikkor AF-S 200-500mm f5.6E ED VR is a super-telephoto zoom designed for Nikon DSLRs. Announced in August 2015, it represents a new category in the Nikkor range, offering a super-telephoto range at a comfortably lower price than the existing AF-S 80-400mm f4.5-5.6 VR II not to mention a fraction of the high-end AF-S 200-400mm f4G VR, while out-reaching either of them. Indeed at first glance, the AF-S 200-500mm f5.6E would seem like a response to the popular 150-600mm zoom options from Sigma and Tamron which filled a gap missing from both Nikon and Canon’s catalogues. The price of the new Nikkor is also roughly similar to the higher-end Sports version of Sigma’s 150-600mm, but there are of course differences. Most obviously the Sigma and Tamron 150-600mm lenses start wider and end longer with a 4x range versus just 2.5x on the Nikkor. The Tamron lens is lower-priced too, as is the Contemporary version of the Sigma. On the other side of the coin, the Nikkor features a constant f5.6 focal ratio, compared to the f5-6.3 of the Sigma and Tamron.

They buy it to photograph their kids in organized sports, and either the kids stop playing or they realize they keep getting the same old shots.

Nikkor AF-S 200-500mm f/5.6E ED VR review – Little owls

Use continuous autofocus with focus areas as a d9 (AF-C + d9) or Single autofocus with focus area as S (center point) ( AF-S ) When it comes to hand-holding, although as I have already said above, the three largest glass elements are located on the front of the lens, it still does not make the lens front-heavy. Whether shooting at 200mm or fully extended to 500mm, the lens feels nicely balanced on hand. NIKON D750 + 200-500mm f/5.6 @ 500mm, ISO 450, 1/1000, f/5.6

Of course it won't autofocus on manual-focus 35mm cameras, and VR won't work on some of the oldest 35mm cameras either —but that's the case with all lenses on these cameras.Thanks to Silent Wave Motors (SWM), the lens focuses quietly and with accuracy. The lens indicates this feature as AF-S. While you autofocus, you can instantly override autofocus by manual focus and vice versa (M/A). The lens can be focussed manually (M) as well. Teleconverter support

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