Troublegum

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Communion:Live at the Union Chapel (Double Live CD) – Therapy Question Mark". 25 July 2017. Archived from the original on 25 July 2017 . Retrieved 12 September 2020. Troublegum came out a few weeks later. It busted into the Top 5, its themes connecting with people irrespective of the subculture they belonged to. “It didn’t matter whether they were metallers, goths, punks or people in baseball caps and Reeboks,” says Andy. “When you’re young, you’re this mess of emotion. And Andy: With Die Laughing, we had the demo version, which we liked, and had played live quite a few times. I think when we wrote Die Laughing everyone agreed it was completely Fugazi; that swing with playing the fifths on guitar from G down to Em and palm-muting them, it had that real Fugazi feel to it, which we were huge fans of. He released the set without even bothering with a single to precede it, preferring fans to hear it as a whole entity – an archetypically progtastic move”: Prince’s Around The World In A Day

Therapy? (Band) - Troublegum Lyrics and Tracklist | Genius

ABOUT USLouder Than War is a music, culture and media publication headed by The Membranes & Goldblade frontman John Robb. Online since 2010 it is one of the fastest-growing and most respected music-related publications on the net. Find sources: "Troublegum"– news · newspapers · books · scholar · JSTOR ( October 2020) ( Learn how and when to remove this template message) The following album One Cure Fits All was released in April 2006. The album, produced by Pedro Ferreira, was a return to the melodic tendencies of High Anxiety and again divided opinion among the band's fans. [11]In February 2023, supergroup JAAW (featuring Cairns on vocals) announced their debut album called Supercluster to be released on 26 May 2023 on Svart Records [37] Question mark suffix [ edit ]

best albums of 1994 - Radio X The best albums of 1994 - Radio X

Andy: I had the riff before I was even part of the band. I'd written it, I think, when I was 16 or 17, on bass. In the various bands I'd been in I'd never had the chance to use it. When we wrote a song called SWT, it was a riff at the end. We recorded that in a studio in Lurgan. The guy had a Fender Twin and I was completely obsessed with Bob Mould's guitar tone. I said, 'Look: here's the closest I can get to Bob Mould. Can you help me out with this?' I always thought, 'This riff doesn't go on enough.' I'm a bit of a pop guy; I always think if you've got something really melodic it should feature prominently at least a couple of times. Michael: There's a lot that we all felt really good playing, and I know Knives is one of those ones. Just dynamically it all made sense, even before there'd been any vocals or lyrics on it. And when we did the original demo, I thought, 'Oh my god, this is going to be fantastic.' It was just screaming out to be the album's opener. We’d already done our apprenticeship on the major label with Nurse, and we sort of learned the mistakes that we shouldn’t make with this one; like, not to take acid and run around in a field full of cows, and or not to take speed and get into fist fights. We worked with Chris Sheldon who was a really up-and-coming producer at the time, and he’d already worked on the Screamager single with us. I remember him saying, ‘This is a real step-up for Therapy? People will be singing this and it could go into the charts. Have you got any other stuff like this?’ We had a bunch of songs that were inspired by the Ulster punk of Stiff Little Fingers, but also by Helmet and Metallica, which were bands we also loved. We played him Nowhere and Die Laughing and he said, ‘Guys, these are all singles.’ At that time people knew us for songs like Teethgrinder and Potato Junkie; we’d only written one song in the five years we’d been together that was poppy and it became a top ten single. So writing a whole album that was complimentary to Screamager was a big risk. But Sheldon said, ‘You’ve got the songs there. Why don’t you give it a go?’ So we did. With hindsight, Ewing's departure seems to be imprinted within the grooves of Infernal Love. Not only is he lower in the mix, his playing seems far less expressive, strangely muted, already disillusioned perhaps. Ewing quit the group during the Infernal Love tour, fearing that if he didn't he would "go mad". He then disappeared into obscurity, depriving the world of one its most exciting young drummers.
Incidentally, you can keep What's The Story, The Bends, and that Sparklehorse album with the clown on the front. The best album of 1995 (and second best album of the 90s) was Infernal Love. Dr Victkurt Cobainstein dealt with the unsettling success of his second album by doing too much heroin, hitching a lift on Captain Albini's expeditionary ship, pursuing his Nevermind monster to a mansion in the North Pole hoping to slay it with nothing but a borrowed shotgun and a copy of In Utero, before slipping tragically under the ice. Andy Cairns dealt with the unsettling success of his second album by taking lots of cocaine, shaving his head, investing in false moustaches, and making a bizarre goth-pop album in Peter Gabriel's recording studio. The second studio album from Trent Reznor’s industrial noise project featured March Of The Pigs, Closer and the original version of Hurt, later covered by Johnny Cash.Cover [Front Cover Image: Red Drawing], Artwork [Hand Photoworks: Blood Hand, Cream Hand, Hammer, Glove] – Nigel Rolfe