Girlcrush: The #1 Sunday Times Bestseller

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Spannend fand ich die Entscheidung des Verlags, hier tatsächlich alles strikt durchzugendern. Machte für mich auch voll Sinn und passte zu Eartha, aus deren Sicht wir die Geschichte erzählt bekamen. Es passte so gut, dass mir erst im Nachhinein auffiel, dass das nicht so im englischen Original stehen kann. Die meisten Bezeichnungen sind im Englischen auch so schon genderneutral (zumindest meines Wissens nach), deswegen muss während der Übersetzung diese Entscheidung gefallen sein. Wie gesagt, ich fand das super spannend. Und es machte mir auch Lust, mal das Original in die Hand zu nehmen, um zu sehen, wie das denn dort geschrieben wurde und ob mir dort überhaupt irgendwas auffällt. I understand that some books include the above references to prove a point. To show that these words, phrases and stereotypes are wrong. This book has not done that. And for that I will never forgive it. Even with a two dimensional non-binary-who-was-clearly-written-as-a-butch-lesbian-and-changed-at-the-last-minute best friend Eartha is completely naïve to everything queer (I'm guessing she hasn't listened to Rose speak for their entire friendship). For example, after coming out Eartha learns that scissoring isn't a thing, why people who sleep with women cut their nails short and what a gender neutral bathroom is. At 25!!! In 2030!!! Touted as a modern retelling of Robert Louis Stevenson's Jekyll and Hyde, the book focuses on Eartha's internal struggle finding her true self, and makes for a dark and thrilling read you won't be able to put down.

We are experiencing delays with deliveries to many countries, but in most cases local services have now resumed. For more details, please consult the latest information provided by Royal Mail's International Incident Bulletin. I’ve been asked if I’d like to go into politics. No! I’d be awful at it. I know my strengths. I’m a writer, I’m an artist. And I’m good at talking. But I don’t want to be a politician. I want to write books for the rest of my life. As an out bisexual woman myself, and as someone who has a podcast with an advice section, I get hundreds of questions from women every day. Most of them are: “Am I bisexual? I don’t know if I am.” And I can’t tell people! I’m not you. I don’t have the answers. I don’t know your life. What I wanted to do in this novel is say that it’s OK not to know. And it’s OK to be confused. In diesem Roman geht es um Eartha. Sie ist eine bisexuelle Künstlerin, wohnt in einer grottigen Wohnung und hat gerade ihren Freund rausgeschmissen, weil er sie mit einer anderen Frau betrogen hat und dieser Frau auch noch ihr Lieblingsshirt geschenkt hat, das sie selbst designt hat. Jetzt, wo er endlich weg ist (die Trennung war lange überfällig, da sind Eartha und ich uns einig) schafft Eartha es, sich endlich als bi zu outen - und ihr Outing geht viral. Ganz Wonderland (DIE Social-Media-Seite in Earthas Welt) hat dieses Video gesehen und plötzlich wird Eartha als die Stimme ihrer Generation gesehen. Alle kennen sie, alle lieben sie, alle beobachten sie. Und Eartha muss am eigenen Leib erfahren, wie schnell sich Liebe in Hass und positiver Zuspruch in einen Shitstorm verwandeln kann.

She SELF-REFERENCES!!!

My friends have never spoken to me about their weight. We openly talk about sex we have, we openly talk about masturbation, and we’re very honest about our feelings with one another. We say no when we want to. But it is also because my friends are queer or they’re bisexual. Florence Given won a legion of fans with her debut book, Women Don't Owe You Pretty, thanks to its unique illustrations and empowering message, encouraging women across the world, of all generations, to recognise their worth.

yes, i read the notorious livetweet thread instead of reading the actual book (if you can call it that) itself. i am absolutely fine with that. in fact, i think i could have gone my entire life without being aware of this book's existence and been fine with it. alas, i decided not to know peace. There are parts of this book that were so ridiculous that it made me angry (why had she never heard of an INCEL? I know that biphobia is a thing but why are people acting like it's so ALIEN?). it’s like florence given looked up struggles of bisexual women and instead of portraying them with any kind of complexity she turned them into a caricature that had me (a bisexual woman who understands the source of the problems she was trying to portray here) rolling my eyes. like there is literally a scene in this book where the main character makes out with a man and some random girl bursts into the room, films her and then yells at her how she is a fake queer woman (the internet later on agrees with her and cancels eartha lmao) and then the next second the dude eartha made out with tells her that he thinks that women having sex with each other is hot but that he doesn’t want anything to do with her if she would date women and is disgusted by her bisexuality. i can tell that florence given really thought that she was a genius for touching upon three issues bisexual women face at one when, in reality, she only turned them into a joke by exaggerating this scene to no end. Basically, Florence uses the “F” slur far too comfortably throughout the novel, when it wasn’t ever a word for queer women to reclaim. Phrases like “d**e daddy” and “a random butch in leather” have pissed people off, too. The general consensus seems to be that Florence – a bisexual woman – has massively reduced her lesbian characters down to stereotypes.

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The only part of this book that felt genuine was Eartha's experiences with the darker side of social media. The pain that Florence clearly went through at the hands of theslumflower's followers was awful to read through Eartha's experience (let's all agree not to comment/message people on social media and tell them to k*** themselves? maybe?). Florence was handed the keys to the kingdom here and yet, this book was undoubtedly one of the worst things I’ve ever read. If Florence wasn’t Florence, this manuscript wouldn’t even have made it past the assistant’s desk at the publishing firm let alone onto bookshelves globally.

I’ve always been a little confused by how ‘Generation Z’ gets talked about nowadays, particularly since I am, apparently, one of them. (The cutoff seems to be somewhere between 1995 and 1997, which puts me, a 25-year-old PhD student, and my partner, a 27-year-old lecturer, in perplexing adjacency to the term ‘TikTok teen’.) But there’s clearly a thriving market for people who purport to be a voice for Gen Z, both for the sake of Zoomers who want guidance and relatable media, and for the sake of non-Zoomers who want to understand what interests and concerns young people. Erst im Juni habe ich mein erstes Buch der Autorin gelesen, die dafür ja auch sehr gehyped wurde: "Frauen schulden dir gar nichts." "Girlcrush" wiederum hat online weniger Aufmerksamkeit bekommen. Das hängt wahrscheinlich unter anderem mit dem Genrewechsel zusammen, zumindest ist das meine Theorie. "Girlcrush" ist nämlich kein Sachbuch bzw. Ratgeber, sondern ein Roman. Und noch dazu nicht unbedingt der einfachste Roman, den ich je gelesen habe. Was jetzt für mich nicht unbedingt etwas Negatives ist, ist halt einfach nicht mehr für alle Menschen einfach so zugänglich. The main character Eartha is in her mid 20s in 2030 and somehow a VOICE OF A GENERATION for drunkenly announcing that she is bisexual on social media (wow?). She's been friends with Rose (a non binary lesbian who has slept with every woman in the city) since high school. They didn't even need to come out as gay or non-binary because "the way they would recline into chairs with their legs wide open did that for them". I actually don't have words for how much I hate this line and how detrimental it is for non-binary people who aren't androgynous looking people who take up space like men so I'm just going to leave it there for you to reflect on. Ongoing Covid restrictions, reduced air and freight capacity, high volumes and winter weather conditions are all impacting transportation and local delivery across the globe. This book was a mess. On paper, it should have been really compelling. Using modern social media as a way to explore the Jekyll and Hyde themes of duality, public life vs. private life, and addiction while also talking about what it's like to come into bisexuality "later" in life, like on paper this should have been a great story.Some of the things I liked about this book were the discussions about the internet and the complexities of being bisexual, even within the very lgbtqia+ community, as the character describes either feeling like people judge her for being too gay or not gay enough. Women Don’t Owe You Pretty was a concise, witty, compassionate guide to navigating feminism. Did it achieve what you wanted it to? If you follow florence online, it just sounds like a fictional version of her life and friends and experiences - maybe it was a cathartic exercise for FG. Would have liked something more imaginative / completely new as a piece of fiction! This could have been intentional but I am not sure it worked for me.

I know this is meant to be a story about a messy character, but you're given no reason at all to care about this selfish, awful woman from the start of the novel. Seriously, Florence should have just written about her own life and I would have respected it a lot more. There was no need for this Eartha rubbish. No one wants to read about a selfish girl going insane and taking no responsibility. However, the writing was choppy and hard to read. The plot holes and pacing were all over the place, like I get that Eartha went viral but then the amount of followers she was gaining and/or losing per week and the "perks of influencer life" she was receiving in the amount of time that seemed to pass made no sense. And I couldn't tell if Given was meant to be poking fun at the "all men are trash" feminists or what, but man vs. woman language made me really uncomfortable and it sort of felt like Rose using they/them pronouns was just thrown in to soften the "all men are trash, women are best" language. Like people perform gender in all sorts of ways but Rose very much felt written as a butch lesbian who's pronouns got changed at the last minute. So, it’s time to embrace the cringe and confront our fears. Here’s a rundown of why people are absolutely trashing Girl Crush: For a seemingly sex-positive book, it’s FILLED with innuendos The hardest thing for me is to extrapolate who I would even be without the internet. Social media is my gateway to the world and to making connections with people. When it comes to the physical boundaries I have with my phone: it’s never in my bedroom, it’s always charging in the kitchen. And when it comes to what you share online, I always take a beat.

Eartha finds fame online on Wonder Land, a social media app where users can create an online persona that represents their dream self, but she soon realises that being a viral sensation isn't as glamorous and exciting as it first seems. Interessant finde ich auch den Wechsel zwischen den verschiedenen Stilarten, wie er hier stattfand. Manche Stellen sind wie ein normaler Roman geschrieben, manche wie ein Drehbuch, vieles auch in Form von Postings mit den entsprechenden Kommentaren oder Chatverläufe. Ich mochte das, ist aber sicher nicht für alle was.